Product Name | URSA MINI PRO 4.6K G2 |
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Brand | BLACKMAGICDESIGN |
Sale Price | Php 453,915.00 |
Mileage | Points :4,539.14 |
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Product Code | P0000JNE |
Product Details | 4.6K Digital Cinema Camera |
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Promo Price | Php 417,602.00 |
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Size ChartsBlackmagic Design URSA Mini Pro
4.6K Digital Cinema Camera
Overview
The world's first digital film camera with professional broadcast camera features and controls!
Introducing URSA Mini Pro, a professional digital film camera that combines the incredible image quality of URSA Mini 4.6K with the features of a traditional broadcast camera! You get a massive number of ergonomically designed controls on the side of the camera so you can adjust the most settings by feeling, and without ever having to take your eyes off the action. URSA Mini Pro also features built-in ND filters, a status display and a revolutionary new interchangeable lens mount that allows you to change between EF photographic lenses or PL and B4 lenses. URSA Mini Pro records up to 60fps and features dual C-Fast 2.0 recorders as well as dual UHS-II SD Card recorders. URSA Mini Pro is lightweight and comfortable enough to use all day,
Digital Film Quality for Every Project
The perfect camera for digital film, broadcast, live production and more!
The URSA Mini Pro is a high-end digital movie quality with the ergonomics and features broadcasters need. It's ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production! URSA Mini Pro features beyond Ultra HD 4.6K resolution plus 15 stops of dynamic range, all in a super wide color gamut and DaVinci color science so you always capture cinematic quality images. The super compact body features broadcast camera ergonomics and advanced operating software that makes it easy to set up and use any other camera! Whether you're on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project!
Two Incredible Models
Choose URSA Mini or URSA Mini Pro models
The URSA Mini family is a powerful and robust camera that is available in five different versions, so you can choose the best suits for your needs. Choose the affordable URSA Mini 4K and URSA Mini 4.6K models with cinema quality, fixed EF or PL lens mounts, and dual C-Fast card recorders. Or you can choose the all new, advanced URSA Mini Pro 4.6K that adds built-in ND filters, an interchangeable lens mount, dual C-Fast UHS-II SD card recorders and powerful broadcast features and controls!
Revolutionary URSA Design
Big camera features that are a lightweight, portable design!
URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere! Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It's a true professional camera with full redundancy on every control, even the power switch! Plus, the tactile controls allow you to take the camera off your shoulder! There's an external high visibility LCD status display so you can see the critical shooting information, and a 4 "foldout touch screen for reviewing shots so you do not have to carry an extra on-set monitor! You get professional connections such as 12G-SDI, XLR audio, a built-in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds,
Features
Built in ND Filters
High quality neutral density filters with IR compensation!
URSA Mini Pro features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colorimetry and color science of URSA Mini Pro, providing you with additional latitude, even under harsh lighting conditions. This allows you to use different combinations of aperture and shutter angles to achieve a shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and even IR wavelengths. The ND filters are true optical filters with a precision mechanism that moves them into place when the ND filter dial is turned.
Powerful Tactile Controls
Quickly change settings without taking the camera off your
shoulder!
Like the world’s best broadcast cameras, URSA Mini Pro features powerful tactile control buttons, switches, knobs and dials, giving you direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember, so you’ll be able to adjust settings, use ND filters, change frame rate and even snap a still photo without having to look at the buttons or take the camera off of your shoulder. The external controls are so fast to use, you don’t even have to stop shooting! That’s what makes URSA Mini Pro both a powerful broadcast and studio camera, as well as a digital film camera!
Interchangeable Lens Mounts
Compatible with EF, PL and B4 lenses!
Different projects require different lenses, which is why URSA Mini Pro features a new interchangeable lens mount! Imagine shooting regular work using a photography lens but then being able to change to a PL mount cinema lens if you get a high end film job. URSA Mini Pro makes that easy because you can quickly switch between EF, PL and B4 lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera! URSA Mini Pro comes with an EF mount and you can purchase optional PL and B4 lens mounts separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you can choose precisely the lens you need!
Cinematic 4.6K Sensor
Capture incredible digital film images with 15 stops of
dynamic range!
When it comes to image quality, URSA Mini Pro operates at a
higher resolution and dynamic range that goes well beyond traditional motion
picture film. You get a 4.6K image sensor that captures up to 4608 x 2592
pixels, which is bigger than full DCI 4K! The sensor features a massive 15
stops of dynamic range, making it perfect for high dynamic range (HDR)
projects. The built in active refrigeration ensures maximum dynamic range and
low noise so you get incredibly clean pictures with amazing detail in both the
dark shadows and bright highlight areas. You can also choose the lower cost
URSA Mini 4K model with 12 stops of dynamic range when you don’t need the
performance and are on a tighter budget.
4.6K Ultra HD Sensor 15 Stops.
Status Display
See critical shooting information in bright daylight!
The status display is a high visibility LCD screen that’s designed to be easily seen, even in bright light! The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. It also features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition!
Advanced Colorimetry
Super wide color gamut and precision color science!
URSA Mini Pro features an incredibly wide color gamut that captures more of the visible color spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema color space! Third generation Blackmagic Design color science is used to process the raw sensor data, enabling amazingly rich skin tones, natural color response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro’s combination of resolution, dynamic range and color gamut delivers amazingly rich and lifelike images!
High Frame Rate
Recording
Capture the action with smooth flowing motion
URSA Mini Pro can shoot at high frame rates and then play it back at the edit frame rate so you get smooth slow motion video that’s crystal clear. You can set the camera’s default shooting frame rate and also specify an “off speed” frame rate. Switching between them is simply done with the touch of a button on the outside of the camera, making it incredibly fast to switch between standard and high frame rate shooting! URSA Mini Pro can capture full resolution 4.6K recordings at up to 60 frames per second!
Non Stop Recording
Works with both C-Fast and SD card media!
URSA Mini Pro features both dual C-Fast 2.0 recorders and dual UHS-II SD card recorders so you can choose the media that works best for you. C-Fast cards are ideal for full resolution RAW recording, while SD and UHS-II cards are inexpensive and commonly available, making them perfect for recording ProRes Ultra HD files or RAW HD files. Simply choose the media type, insert the cards and start shooting! With dual slots for each media type, you never have to stop recording because when the first card is full, it automatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording! URSA Mini Pro can record lossless 12-bit CinemaDNG RAW files for the highest possible quality, or 10-bit ProRes files for easy post production workflows with minimum storage requirements!
Built in Monitoring
Fold out touch screen for monitoring and camera control!
The built in 4” fold out touchscreen URSA Mini Pro and the 5” fold out touchscreen on URSA Mini are super bright, high resolution color displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set! The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audio meters! The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more!
Professional
Connections
All the connections you need for even the largest rig
Unlike other compact cameras that require custom cables,
URSA Mini Pro features industry standard broadcast quality connections so you
can use cables you already have! You get the latest 12G-SDI and separate HD-SDI
video outputs along with 12V power for connecting electronic viewfinders. For
audio, there are 2 XLR balanced analog inputs with 48V of switchable phantom
power for external microphones. URSA Mini Pro also includes a Hirose 12-pin
lens control connector, LANC, a standard 4 pin XLR power connector and URSA
battery plate internal power connector that lets you mount battery plates on
the rear of the camera.
Specifications
URSA Mini Pro is a professional digital film camera that
combines incredible 4.6K image quality with the features and controls of a
traditional broadcast camera! You get a Super 35mm 4.6K sensor with 15 stops of
dynamic range that’s perfect for feature films and can also be instantly
switched to traditional video mode for regular video work. Also included are
built in ND filters, user changeable lens mount, plus RAW and ProRes format
recording to dual media CFast or SD cards. URSA Mini Pro is a perfectly
balanced, compact body that’s comfortable enough to be used all day!
Camera Features
Effective Sensor Size
25.34mm x 14.25mm
(Super35)
Lens Mount
EF mount included.
Interchangeable with optional PL and B4 lens mounts.
Lens Control
Electronic control via
EF mount pins or 12-pin broadcast connector for compatible lenses
Dynamic Range
15 Stops.
Shooting Resolutions
4608 x 2592, 4608 x
1920 (4.6K 2.40:1), 4096 x 2304 (4K 16:9), 4096 x 2160 (4K DCI), 3840 x 2160
(Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 2048x1080 (2K
DCI), 1920 x 1080
Frame Rates
Maximum sensor frame
rate dependent on resolution and codec selected. Project frame rates of 23.98,
24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to
60p in 4.6K, 120p in 2K windowed.
Built in ND Filters
Four position ND
filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
Focus
Focus button turns on
peaking, auto focus available using compatible lenses.
Iris Control
Iris wheel and
touchscreen slider for manual iris adjustment on electronically controllable
lenses, iris button for instant auto iris settings on compatible lenses so no
pixel is clipped in film mode. Scene average auto exposure in video mode.
Screen Dimensions
4 inch
Screen Type
LCD capacitive
touchscreen.
Metadata Support
Automatically
populated lens data from electronic EF, B4 and i/Technology compatible PL
lenses. Automatic recording of camera settings and slate data such as project,
scene number, take and special notes.
Controls
Touchscreen menus on 4
inch screen. Push buttons for other controls. 2 assignable shortcut keys.
Timecode Clock
Highly accurate
timecode clock. Less than 1 frame drift every 19 hours.
1 x SDI
1 x SDI, 1 x SDI Monitoring.
1.5G, 3G, 6G, 12G.
2 x XLR analog switchable between mic, line and AES audio.
Phantom power support.
1 x 3.5mm headphone jack, supports iPhone microphone for
talkback.
Tri-Sync/Black Burst/Timecode.
2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus
control using compatible lenses.
USB Type-C for software updates.
Integrated stereo microphone.
1 x mono speaker.
None.
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50,
1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50,
2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
2 x CFast for 4.6K RAW and ProRes recording. 2 x SD UHS-II card
slots for HD and Ultra HD recording.
Can format discs to ExFAT (Windows/Mac) or HFS+ (Mac) file
systems.
CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1, Apple
ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime,
ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime.
Blackmagic SDI Control Protocol 2 x 2.5mm LANC for lens and record control.
DaVinci
YRGB.
SDI
Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
Storage Features
2 x CFast 2.0
2 x SD UHS-II cards
4608 x 2592
CinemaDNG RAW - 513MB/s
CinemaDNG RAW 3:1 - 180 MB/s
CinemaDNG RAW 4:1 - 135 MB/s
3840 x 2160
Apple ProRes 444 XQ - 250 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Storage rates based on 30 frames per second.
Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic
range at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048
x 1152, 2048 x 1080 and 1920 x 1080. Apple ProRes 4608 x 2592, 4608 x 1920,
4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080
with either film or video dynamic range.
URSA Mini Operating System.
DaVinci Resolve Studio grading software including Resolve USB
dongle for Mac OS X and Windows.
Blackmagic Camera Setup.
1 x
External 12V power supply. 12 pin Molex connector on rear battery plate.
1 x 4
pin XLR port for external power or battery use.
1 x 12
pin molex connector on rear battery plate.
Custom V-mount
battery plate with D-tap +12V regulated output from camera.
Rear
camera mount compatible with industry standard V-mount or gold mount battery
plates.
0°to
40°C (32° to 104°F)
-20°to
45°C (-4° to 113°F)
0% to
90% non-condensing
Turret dust cap
EF lens mount
Side Handle with LANC Cable and strap
Power supply
SD card with software and manual
DaVinci Resolve Studio USB dongle
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